Travel: New York Post - Sayulita, Mexico

Posted by Unknown Selasa, 25 September 2007 0 komentar

LET'S GET PACIFIC

THE REAL MEXICO AWAITS

By JULIE EARLE-LEVINE

September 25, 2007 -- JUST call me Tiger. Like the cat." My surf instructor, Guillermo "Tigre" Cadena, grins widely before turning to survey the rolling waves lapping against a stunning, golden beach.

"Look at that! It's so beautiful! Here we come!"

And there we go.

Tigre is a former international surfing champ, and he's helping me brush up on my skills, here in the easy-going village of Sayulita, Mexico. He will later prove invaluable as a source on where to find the best tacos.

There are many agreeable little coastal towns on Mexico's Pacific Coast. Few can say they are next door to a Four Seasons resort, or, for that matter, a villa where Beyoncé is staying.

Sayulita can. It is located just a few minutes' drive north of Punta Mita, the famous (and famously exclusive) luxury community near Puerto Vallarta that was designed to lure the high-end traveler to the region.

It seems to be working: At the Four Seasons, you can currently book a one-bedroom suite with a garden view for $1,025 a night. Over the holidays, you'll pay close to $2,000.

At the Villa Amor, located on the beach in Sayulita, an oceanfront one-bedroom currently starts at $88 per night, rising to a prohibitive $123 over Christmas.

Sure, your suite at the Four Seasons would feature a private plunge pool, but at Villa Amor, Sayulita Bay is yours to plunge into, anytime you like.

As you'd expect in a small town, the vibe here is relaxed. Dogs, cats and chickens roam free and everyone, even the locals, seem to be on holiday.

Experienced surfers and novices alike flock here to soak up the local culture.

Greg Shove, founder and CEO of luxury vacation real estate guide the Helium Report, found his way to Sayulita four years ago. He generally considers himself a luxury traveler. But at least once a year, he makes time to go to Sayulita with family and friends.

"We love the atmosphere, the warm water, great surfing and fresh food," said Shove, whose family learned to surf there. Sayulita is renowned for surfing, but there is enough in town to keep you happy beyond catching waves.

Quick, so you can walk again, go to Nicole Brandt, a Texan transplant, who does deep-tissue massages in a private palapa studio on the beach for $50 to $75/hour.



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Lifestyle: Weekend FT, Vikram Chatwal

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HOUSE AND HOME: 'The vibe is sophisticated but relaxed'

By Julie Earle-Levine
Jul 28, 2007

Vikram Chatwal is an Indian hotelier, actor and socialite who lives on the island of Manhattan in New York City and has a holiday home on Long Island. He is president of the boutique division of Hampshire Hotels and Resorts. He and his wife, the model Priya Sachdev, have a baby daughter.

Where did you grow up?

I was born in Addis Ababa [Ethiopia] but I moved to Manhattan when I was three and have lived here ever since. I love New York because it is so accessible. It has something for everyone because it is constantly changing. I also spent much time travelling to India, visiting family, and throughout Europe as well.

What was your childhood home like?

Growing up, we resided at 30 Lincoln Square Plaza on Central Park West. There was an interesting juxtaposition between the modern design of the building and the traditional Indian furnishings in my family's three-bedroom apartment. Our home was filled with warm colours and antiques we collected during our travels everywhere from London to Bangkok to Japan. All of the artwork and antiques I grew up with are still in our family homes. I loved the New York apartment, especially its location. My brother Vivek and I spent all of our time in Central Park playing basketball and swimming.

Tell me about your apartment.

It's very white and bright with sweeping views of Central Park. The sun pours in through floor-to-ceiling windows. I like to see the park's green tree-tops. It's very relaxing.

What is your favourite room?

The main living area. I have a bar crafted from stainless steel and with white fur. There are photos of friends including Naomi [Campbell]. I have a white, custom-designed, L-shaped, leather lounger, with black and white pillows, and a white, calfskin rug. All of this is reflected in a floor-to-ceiling mirrored wall. The black-and-white composition in general is attractive because it is very polarising. It can make a room feel both elegant and warm, yet also staunch. The lack of colour leaves open the imagination to focus more on the room and furniture.

The black-and-white theme seems to be echoed at one of your boutique hotels, in Manhattan, called Night.

Yes, all my hotels have a story, a connection to the heartbeat, culture and pure energy of the city they're in. Night is my homage to the drama, power, vitality and innate sensuality of New York. The space was designed to elicit the feeling of the city after dark. There are wrought-iron gates, black curtains on the outside of the building and black-and-white tiled carpet throughout. Also, black-and -white photographs, shot for the hotel, are on the walls in our public spaces.

What kind of mood have you created in your own home?

The vibe is sophisticated but relaxed. With Priya it became more intimate and personal. She bought me a 17th-century gable from a Buddhist temple in Thailand and we have this hanging on a mirrored wall, opposite a Picasso linocut entitled "Spanish Woman". When we are not travelling Priya and I like to cook at home: good Indian food. We dine under an antique silver candelabra. The apartment is now a mix of both of our styles.

You have an impressive art collection.

I love art and became an avid collector during my tenure as an analyst at Morgan Stanley in New York. Art is very important to my being. In the foyer we have an oil painting of the Hindu elephant-headed god Ganesh; a Francesco Clemente oil on canvas; a Peter Beard diary/collage called "Hot Rod"; and a linear Brice Marden. A "decision tree" drawing by artist Beth Campbell is by the dining table. I love her work. To me, it is the various probabilities that we contemplate, sometimes unconsciously, before making decisions and evaluating their outcomes. In the den I have a Sante D'Orazio photograph of Pamela Anderson [topless] next to our formal portraits. I love the fact that it is very Pam Anderson, daring and fun yet still a really natural photograph. My favourite portrait here though is of the Maharaja Dalip Singh, a poet. There are beautiful swords in this portrait and I have them in a sword collection.

You say the apartment now reflects your travels. What items?

A lot of what I have is relevant to a time and a place that I want to remember, such as artifacts from Thailand, one of my favourite places. I also like to collect art that reminds me of moments in time: "The Dream" from Dalí, one of Thierry Despont's masks and Picasso's "Spanish Woman", just to name a few.

Tell me about your 'den' and how that helps your creativity.

It's about comfort. I have two brown leather recliners, next to a bed with Indian throws and a soft, peach headboard. The drapes are pale gold silk. There is also a flat-screen television with a Sony PlayStation and an Xbox for when I want to really relax. I like to collect thoughts and ideas for my next hotel or film in this room. I'm mostly thinking about my hotels but sometimes I just like to look at the beautiful greenery and its various shades. It's so refreshing.

Your bedroom?

It's a quiet room with a four-poster bed and Indian silks and beads. The colour scheme is sombre tones and rich woods. There are two portraits of Sikh prophets hanging above the bed. I really like Indian silks and throws with tassels. They are part of my environment here and in India.

How many homes do you own?

Two - one home in Long Island and the Manhattan apartment. My weekend home is a Charles Gwathmey-designed farmhouse. It's on the north shore of Long Island in Nassau County, close to the water. It is decidedly more traditional inside than my home in Manhattan. It is a wonderful place to escape to. It is so relaxing and very convenient, being close to the city. I enjoy the architecture of the house just as much as the calm interiors. I also have a collection [of art] here and one of my favourite additions is a Ross Bleckner painting of flowers. I like these pieces because they stimulate emotion and provoke thought. I also know my [art] investment is safe and will grow in value.

Do you also invest in real estate?

I invest in real estate as it relates to hotels but not straight real estate investments per se.

You live in a Trump building in Manhattan. Is it glitzy - all gold and chandeliers?

I live in 1 Central Park West, probably the most reserved of the Trump buildings in that regard. The location works well for me and I can see my hotels from there along with the rest of the city I love.


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Lifestyle: Weekend FT, Betsey Johnson

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HOUSE AND HOME: 'I've always had a huge amount of junk'

By Julie Earle-Levine, Financial Times
Jul 14, 2007

Betsey Johnson has always made her own rules since she started as a fashion designer in the 1960s. Andy Warhol was a close friend and Edie Sedgwick her house model. At 64, she still wears fluorescent baby-doll dresses and tutus. Johnson is passionate about her living quarters and recently launched her first home collection, designed for women who like her funky, eye-popping clothes.

You lived at the Chelsea Hotel in New York in the late 1960s. Tell me about that.

I moved in with a toothbrush for one night, after a break-up with a boyfriend, but I ended up living there for two years in a big loft. This is where I met John Cale [co-founder of the Velvet Underground, for whom she designed velvet suits and whom she married]. The place was very artsy, incredibly visual, with some of Andy Warhol's 1960's pop art thrown in. I made most of the costumes for Warhol's [film] Ciao Manhattan there and would sit in the lobby and try them out to see if anyone blinked - but no one ever did. I'd spend evenings at Max's Kansas City and then work all day. It was the second home where you hung out with "your kind". It was either Max's or Chelsea, a home for very "special" people.

How many homes do you own?

I have a Greenwich Village penthouse, a Hamptons home and two houses in Mexico, one of which I've turned into a villa. Each home has a completely different decor. Manhattan is Hollywood modernist glamour - Marilyn Monroe, pink walls with lace and zebra-print draperies, velvet sofas and gold tassel chairs, very 1950s style; East Hampton is "tea party floral"; and in Mexico, Betsyville, "a bright floral siesta house" and Villa Betsy, "Italian villa-esque".

What are your design influences?

I've always collected antiques and vintage furniture and decorated my homes with chandeliers, great country-kitchen cupboards, English wallpapers - a big mix. I love antiques, yard sales and everything crosses every time zone of history, in terms of furniture, clothing and shoes. I've always had a huge amount of junk around but it is collectable junk.

How did you choose the homes?

They were out of necessity. My favourite is the Fifth Avenue and 12th Street penthouse apartment, a big open space, 2,500 sq ft on the 17th floor. I have gorgeous views of the old spires of the church across the street and private roofs. I bought this 15 years ago but I was terrified then of buying, of any investment. I was in the stock market once and I hit the jackpot - that is how I was able to start my business - but I have never understood the mortgage concept. I generally take money and spend it.

You were married to John Cale?

Yes, we had a house in Jamaica but after we separated I realised I needed a place to house all my stuff. We had a funky farmhouse that was in upstate New York, so I met a lot of antique dealers. I always needed chandeliers. I can get five chandeliers for the price of one and early country cupboards, things I've had for years. I've never gone to Crate and Barrel, I love what I have. After the divorce, I found a cottage in East Hampton, in the woods. Here I have chandeliers, knick-knacks, old cupboards wallpapered with English tea party florals, cabbage roses. It is very cosy. Now it is our cosy grandchild hang-out. My daughter Lulu has my first and only grandchild, Layla, and we love going there.

Why did you buy in Mexico?

I didn't have a year-round, blue-sky, no-clouds, warm-weather private Idaho escape. Five years ago when I was celebrating being breast-cancer free, I thought, "This is the year to get an island home." Over the years of working, I'd been to Hong Kong, India, Morocco but I wanted just a place for sun and surf, warm water and hot sand. I love it down there, even in the rainy season. It's so tropical and lush and green. The spirit of the people is warm and friendly, innocent and culturally rich. When I was younger, hitchhiking and poor, bussing it around, I loved Mexico.

The area you bought in Mexico is very fashionable now.

Yes. Just like I predicted in the 1960s that SoHo in downtown Manhattan would explode, my paradise has taken off but it's still lovely. I was very lucky to find it. A friend told me to visit there and to go have lunch on this little beach where the fishermen come in with their catch. I found a tiny hotel and stayed in it. On the second day at breakfast, I asked them if they wanted to sell. It is walled in, a classical Mexican home, with three hand-built palapas [palm-thatched huts]. I started dreaming of buying the little strip of land next door. I took me two years to find the owners and a lot of beer drinking but finally they gave in. The interior decor was the most fun thing to do. I've always found decorating houses was just the perfect balance to difficult or frustrating creative work.

Is your first home collection like your fashion?

Well, where you start is bed and bath - that's everything that goes in and under the bed. And then it goes into the bathroom, sheets and towels. Home is wonderful for a clothing business. If a girl likes your clothes, she might like your kind of environment. Even if I could cook, which I can't, she'd probably enjoy my meal. Interior decorating is close to clothing design, with patterns and colours but I wouldn't turn that into a business.

What did you do with Betseyville?

Betseyville was too adorable and just too big for me. I would sleep in the pink room. Then another room for fun. It is four separate palapa houses, pools, two lounge hang-outs. It was too cute not to be shared. Meanwhile, down the road, 40 minutes south, I have this other property. The views are all blue sky and water. The house is like an Italian villa, grey cement with archways. I wanted to build a glamorous monastery. All the rooms have chandeliers and their own body lotion and bath gel. I don't rent it for more than 10 weeks maximum a year and that is just fine. I've never approached it as a business. Besides, I love to take jaunts and go myself every few months. I like to do San Miguel as a side trip. It is always an exciting new experience. I don't believe in having houses unless you live in them and keep them alive so I try to go every few months. I still hate flying but I'll fly to have three days on the beach.

Are you still shopping for homes?

Mexico's coastline still has some very nice deals, but no. I'm now realising - no more homes. The ones I have are pretty much filled because I am so addicted to antiquing. When I set up in Mexico, I had two 24ft moving trunks. Now, I need to restrict myself to collecting small objects like embroidered table napkins and silver spoons.


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Travel: New York Post - Sayulita, Mexico

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LIFESTYLE: The New York Times Style Magazine: March 2007

Posted by Unknown Kamis, 15 Maret 2007 0 komentar

The Remix

Now Ticking - Big Ben for Men

By JULIE EARLE-LEVINE
March 11, 2007

Time for a new watch? Dent — the British clockmaker famous for creating the Big Ben tower in London as well as timepieces for luminaries like King Edward VI and Charles Darwin — has a new line of watches for the common man. Frank Spurrell, the founder of Watch Magazine, and Twysden Moore, a London nightclub entrepreneur and watch fetishist, acquired the label after assuring the original owner that they were not going to make tacky plastic alarm clocks. Expect instead a classic square-face ticker inspired by Big Ben and a round homage to an 1848 ship chronometer used by the Royal Navy in the world wars. Go to http://www.dentwatches.com/.



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Weekend FT: Lifestyle, Jorge Perez on design

Posted by Unknown Senin, 11 Desember 2006 0 komentar
December 9, 2006

'I have always had a love of design'
By Julie Earle-Levine

Jorge Perez, 61, is a Miami-based property developer, architecture enthusiast and art collector. He is chairman of The Related Group, a $13bn company that is the largest multi-family builder in the US. It has already built 55,000 units in Miami and has plans to build another 15,000 in markets including south Florida and Atlanta.

As someone who was born in Argentina to Cuban-exiled parents and who relocated to Colombia following Castro's rise to power in Cuba (in 1959), what are your earliest memories of a family home?
Because of Castro we moved a lot, so the first house I can remember was in Argentina when I was eight or nine years old. It was an older, two-storey, English-type, brick house on a lot of land in a very pretty neighbourhood in Buenos Aires. There was a library, a very tall room filled completely with books. My mother had a very good book collection. When we were in Cuba, I would go to my grandparents' house in Guantánamo Bay (not the American side, the Cuban side). It was an old Spanish house. You couldn't tell anything from the front and then on the inside it had a fountain in the middle and all the rooms going around. In exile in Colombia we lived in a beautiful apartment in Bogotá. Furniture for my parents was always secondary to the books, great limited edition collections. There were always books, even when they lost everything.

How many homes do you own?
Three: our home, Villa Cristina, a Venetian-style three-storey home in Coconut Grove, Miami, on a waterfront parcel that once belonged to aviation tycoon Howard Hughes; a condo designed by Philippe Stark in Palm Beach; and a home in Utah.

Villa Cristina looks like an art gallery. How important is art to your home aesthetic?
I could not live in a house that did not have art. When I look at it every day it is a wonderful feeling. In Miami, it is all Latin American art inside and out. I have a sculpture garden I walk in every day. In Palm Beach every wall is filled with art. I have Chuck Close; he is like a chess master who knows the 700th move. Even if I have no wall space, I am always buying. I have hundreds of pieces in storage and then I also put art in my buildings and in my office.

Who are your favourite artists and why?
I have a wonderful collection of works by Wifredo Lam, one of the great Cuban painters. I particularly like his early period but also have pieces throughout his Afro-Cuban period. The Colombian artist Fernando Botero is one of the greatest artists ever. I have many of his early paintings and several bronze sculptures. The Mexican artist Diego Rivera is incredible. I love his work. Jose Bedia, the Cuban artist who uses African tribalism in his art, is amazing and a good friend. Right now I am concentrating on young artists. I love Art Basel because it electrifies Miami. It gives me the chance to meet collectors from all over the world and to reconnect with my non-Miami friends in the art world. All our galleries and museums put their best foot forward.

How involved were you in the design aspect of Villa Cristina?
I was single at the time and put a lot of energy into it. To get the stone we needed I bought a quarry. I used French and English designers but I have always had a love of design and know the things I want in my life. I was in a classical mood, my "Ralph Lauren" mood. I went to Paris to buy antiques, to London for silver and Persian rugs, to California for Rachel Ashwell's super-comfortable couches. I have many antiques, from Mexico and India, and very good oriental rugs.

What is your favourite room at Villa Cristina?
My library. I love this room: the deep leather seats, the quiet and art books. It is conducive to work.

You just spent some time repairing your home after hurricane Katrina. Was there much damage?
Yes. We lived at the Ritz Carlton Coconut Grove for months. The water had broken through all the villa's windows and destroyed carpets. We all worked through the night moving art to safety.

Do you spend much time at the Palm Beach apartment?
In winter we go every weekend. It is a completely different mood to Villa Cristina. It is all Philippe Starck, very funky, very American, all black and white. He says it is the only private residence he has designed other than his own and the president of France's.

Which designers and architects do you favour?
I think I have great ability to capture well done design. I'm not a designer, neither am I an architect, but I get very, very involved in the physical designs of buildings. I hired Philippe Starck to work on my Icon project at South Beach. He is brilliant. I said: "You have to design my Palm Beach apartment, too, and he did. More than anything, I want Santiago Calatrava to do a building for me - he is an artist more than anything - or to get Frank Gehry to do a building.

You have a master's degree in urban planning and started out working on affordable housing projects in Florida before graduating to building luxury condominiums in the 1990s. Were these first buildings
good design?

I refurbished homes for low-income seniors in Miami's Little Havana and Homstead neighbourhoods, then started developing two-storey apartments and suburban homes. I thought each of them was the Taj Mahal. I look today and think: "Oh my God, did I do that?" I can't compare to what I'm doing now, I've grown up in my design
standard and have larger budgets. Those buildings might not be
the best architecturally but they acted like catalysts to change in
the city. The City Place project is not the best design but it
changed the city of West Palm Beach into an urban city and increased values. One Miami is definitely not the best project but it is a good project for the young and provided a catalyst for downtown Miami's revival.

In Florida, some people call you "the king of condos?" How do you feel about that title?
I have always loved cities. I feel great looking at buildings in Paris, New York, in Barcelona, the Maldives, Miami, wherever. It doesn't have to be high-rise architecture; it just needs to be well done. Architecture is just art in buildings.

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Weekend FT: Lifestyle Models sell real estate in New York

Posted by Unknown Senin, 20 November 2006 0 komentar
Beauty is in the eye of the freeholder

By Julie Earle-Levine

Published:November 20 2006

At first glance, Paolo Zampolli's premises in downtown Manhattan looks like those of any other luxury real estate broker. Listings for multi-million-dollar condominiums are displayed on Paramount Realty's floor-to-ceiling windows. The usual glossy magazines, comfortable leather sofas and Italian espresso maker are all present.

What is striking is that the real estate brokers in Mr Zampolli's Greene Street office are as eye-catching as the sleek apartments they are selling. These agents are mostly fashion models, many of whom have swapped the catwalk for what they hope will be another lucrative career.

Zampolli's strategy of training models as real estate brokers is an intriguing response to an increasingly competitive real estate market. "It is all aboutluxury and attractiveness," he says. "If you are going to buy an apartment, why not with a beautiful, smart woman?" Mr Zampolli, the owner and president of a modelling agency, ID Model Management, decided two years ago to branch out into real estate at the suggestion of his friend Donald Trump, the property developer.

He recently formed a partnership with Prudential Douglas Elliman, New York, the state's largest real estate services company. ID Model Management, which is in the same building as ID, has a stream of models on their way to fashion shoots. The models leaving Paramount are on their way to show off apartments in much the same way as they might launch a designer's fashion collection.

"For me, the focus is now more on square footage than on fashion magazines," says Mr Zampolli. He says 12 models will be working for by early next year. Six already have broker's licences while the others are still studying for their real estate exams.

Good looks are not the only factor. After years spent attending glitzy parties, many models have acquired a valuable network of wealthy contacts. Angie Everhart, a 37-year-old actor and supermodel, has become one of Mr Zampolli's agents after a 20-year modelling career. "Fashion is the centre of a lot of worlds and lifestyles. You get to meet rock stars, presidents, sports stars and your regular Joes on the street," she says after sweeping into Mr Zampolli's office in knee-high boots, silk blouse and dark designer jeans. All such contacts are possible buyers. "I know a lot of wealthy people round the world, so it made sense for me to get paid to tell them about apartments," she says. With other projects on the go, she intends to sell real estate part-time. "I am only going to sell ultra-luxury properties. No sixth-floor walk-ups. I'm sorry if it sounds snobby but it's just not my style," she says.

Maria Markova, a 21-year-old Russian model with a real estate broker's licence, works part-time for Mr Zampolli while studying philosophy and literature at Colombia University. "I started modelling at 17 and got bored. Now I'm selling real estate to make extra money," she says. Ms Markova has sold two multi-million-dollar apartments at a development on Wall Street.

Aleksandra Slowinska, a Polish-German model in her 20s, worked for ID be-fore studying architecture and interior design in New York and real estate at another firm before joining Paramount Realty. "Real estate is a wonderful transition for a model. You meet all the people when you are modelling and your contact sheet is important. It is almost the same in real estate," she says. Ms Slowinska has not sold any properties yet because, she says, she has focused on her full-time job at Costas Kondylis & Partners, a New York architectural firm that specialises in residential high-rise buildings, but she is confident she will. "One of my goals in real estate is to sell whole buildings," says the blonde, 6ft model.

Mr Zampolli has plans for developments in New York, Brazil and Milan, and believes prime real estate is "easy to sell, whatever the city". He says models can compete with more seasoned brokers. "Some models are not only extremely beautiful, but they are also exceptionally driven." For models, whose careers start at 15 and often end at 24, real estate is a new way to make money.

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