Body Art

Posted by Unknown Jumat, 16 Oktober 2009 0 komentar
There are several forms of body art. Body art can be temporary, for example, body painting, or permanent, such as shaping, dyeing, and scarification, tattooing, and piercing. This article will provide some insight into body art.

Body art painting and shaping

Body painting transforms a person into a spirit or work of art; this can include another gender or a sacred place. Emphasizing on the visual appeal of the subject, the protective body paint is what gives it the appeal.

Body shaping is a technique in which to sculpt the body. Culturally defined ideals of beauty have caused people to bind the soft bones of children's skulls and feet, stretched necks with rings, and removed ribs to make their waist smaller. The most common method today of body sculpting is plastic surgery. Plastic surgery can sculpt and define almost any part of the body.

Skin Dyeing

Henna, is used as a temporary skin dye, in which different patterns and designs are applied to the body. The crushed leaves of the henna plant, when mixed with other natural ingredients, provides a thick, aromatic paste used for painting hands and feet. The olive green, dried out henna powder, mixed with such ingredients as black tea and coffee turns dark. When applied to the skin and left on overnight, it will harden and when pealed leaves a red tone to the skin.

Body art piercing, tattooing, and scarification

Piercing is ornamental as it allows the body to hold certain kinds of ornaments, which are inserted through the skin. The most common parts of the body that are pierced is the face although you will often find ear, nose and lip ornaments. Piercing is often part of a ceremony marking the coming of age. Ornaments might be limited to certain people or worn only on certain occasions

Tattoos are intended to be permanent and the patterns and techniques have varied over the years. The effects of tattooing depend on the country you live in. As an example, in the United States, tattooing is typically looked upon as being rebellious. Tattooing, in the last decade, has become a very popular form of body art throughout the world.

Scarification is much like tattooing, instead of placing a color into the skin with a tattoo needle, the color, or substance is placed into the wound or cut. Once the wound has healed, a permanent mark will remain on the skin

All of the forms of body art listed above can have adverse effects on individuals. There are health concerns with types of body art. If you are contemplating any of the above procedures, be sure to consider all the risks and facts before making any commitments.


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Privacy Policy

Posted by Unknown Senin, 12 Oktober 2009 0 komentar
Privacy Policy for http://master-bodypainting.blogspot.com/

If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at almawaddah5@gmail.com.

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UK Vogue: Aby Rosen

Posted by Unknown Kamis, 08 Oktober 2009 0 komentar

UK Vogue, GQ, Tatler, November 2009 issues

Photographed by Trujillo-Paumier


Aby Rosen, the New York City real estate mogul and contemporary art collector has just jetted in from Europe where he has been on holidays.

Standing in his art packed office in the prestigious Lever House (he owns the building) Rosen, 49, takes in the Manhattan skyline. There are many spectacular terraces in New York, but somehow standing on his, with sweeping views of Park Avenue and his landmarked Seagram office building, designed by Ludwig Mies van der Roh feels like looking out at his kingdom. New York is clearly this superstar developer’s playground.

Dressed in all black: black polo shirt, black pants and brown suede loafers, his demeanor is both New York aristocrat and billionaire casual Friday. “I don’t like to wear suits unless I have meetings.”

Rosen’s signature silver hair frames a tan, mostly seriously face that only occasionally relaxes in to a smile, on the subjects of deals, his prolific art collection, and his gorgeous psychiatrist and socialite wife, Samantha Boardman.

Yes, there is a recession of course and property has been hit hard. Some developers in this city are falling by the wayside. At Lever House, which is favoured by hedge fund and financial firms, some tenants are crying for rent reductions, but overall Rosen is feeling optimistic.

“Basically I’m very opportunistic. Whenever the market is down we take control of something. I want to do something with office buildings, hotels, retail.” Shoppers do not know where they are right now,” he adds, noting that even he stopped shopping – briefly - but is back. “I get my shopping fix from art and furniture – 20th century stuff.”

He is also shopping for existing hotels. “"We are looking to buy 10 to 12 assets to rework and rebrand them."
Rosen’s offices, his swank Upper East Side townhouse (and another townhouse he is selling for $75million that would be the most expensive Manhattan property sale) and his Hamptons estate are all showcases for art. Lever House is adorned with Warhols and Basquiats. Rosen admires a recent addition, Marc Newson’s Voronoi Shelf made of white Carrerra marble. At last count, he had more than 450 works. “I’ve always loved art. I love photography and have a huge collection of American art from the 1950s, 1960s and 1970s. I believe you have to have great art in buildings.”

Rosen, who was born in Frankfurt Germany in 1960, moved to New York in 1987 where he apprenticed at a real estate brokerage firm. He co-founded RFR in 1991, which now has an impressive portfolio of hotels, 21 office buildings and nine residential buildings, mostly in New York. He also has projects in Miami and Tel Aviv.

Not bad for a kid who started working for his father’s small real estate business in Frankfurt when he was 16, while he went to law school.

Rosen has many collaborations with long time friend and hotelier turned developer Ian Schrager, including 40 Bond, a swank residential building, plus the chic Gramercy Park Hotel. Rosen met Schrager in 1991. Rosen was a silent partner in the Delano hotel in Miami. Then 15 years on, they decided to work together again. They are planning two hotels in the area of the High Line on the West Side of Manhattan, bordering the Meatpacking district and Chelsea. Rosen is also working on a Shangri-La hotel project on Lexington and 53rd St, but currently everything is on hold. “No one wants to pull the rigger. I think by spring next year, it will all be a lot better.”

In Miami, he has just finished the W South Beach, a stylish 408-unit condo hotel – every room has beach views –and W’s first property in Miami that he says are selling in spite of a soft market.

His next big project is an entertainment centre in Germany, that will be a residential hotel. “We are doing lots of prototype stuff where I can take something and make it into something new, try to replicate it. Something that can be branded.” He also just opened a business hotel in Frankfurt. “But it’s cool. The city didn’t have that.”

Did Rosen ever think he’d be so successful? “I am really ballsy and very determined, he says. “Greed is the challenge. You don’t want to be carried away by ambition. You know in hindsight the projects you ought to be in, and out of.”

So what does Rosen consider crucial for beautiful residential design? “High quality.” In New York this means uptown layouts, in downtown buildings. “Layouts the way Park Avenue and Fifth Avenue used to be – high ceilings and powder rooms, beautiful bathrooms. “If the apartment ages you still want to have classic. You find great architects and designers.”

The most important room? “Every residence must have very beautiful bathrooms, spacious, marble and well designed. I take a bubble bath every day.”

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UK Vogue: IM Pei, The High Priest of Modernism

Posted by Unknown Minggu, 02 Agustus 2009 0 komentar

By Julie Earle-Levine

Photograph by Sacha Waldman

UK Vogue, GQ, Tatler
August 2009


Ieoh Ming Pei, commonly known by his initials, IM, is dressed in an immaculate grey suit, signature tortoise shell glasses magnifying bright eyes. The renowned Chinese-born American architect, who is 92, extends a firm handshake and beams energetically. He is just back from Paris. “They put on a little party for me because it was the 20th year of the Louvre pyramid,” he explains.

Pei’s Grand Louvre glass pyramid project is regarded as one of his greatest achievements. ““It was a very emotional trip for me. Twenty years! “

Pei’s entire life has been a remarkable journey. At 17, he left China for the US where he would study at Harvard and then work as an architect, designing more than 50 buildings, all over the world. As a young architect, he was selected by Jackie Kennedy to design the JFK National Library in Boston. He would later design the East Building of the National Gallery of Art in Washington and earn the Pritzker Prize in 1983. The jury said he had given this century some of its most beautiful interior spaces and exterior forms.

When asked about his career, Pei cites the Louvre and the Museum of Islamic Art in Qatar, that opened last year as among his most important work. But he admits this is a difficult question to ponder in a 70-year-architecture career. “It is like a man with many, many daughters. Which is the prettiest? Which is the one I like best? I can’t say, but these projects are of interest to me and also of great interest to the world.”

The Islamic museum was tipped to be his final project. “Did I say that?’ he laughs. “Well, it is a project I had not expected to do. Now I know more because I really entered into it out of curiosity. It was a wonderful opportunity for me to learn bout Islam, which is a great religion.” The Suzhou Museum, in his hometown in China is also important, he says, since it is where his family comes from.

Any regrets? “I would have liked to have done more houses. I am not known as a house architect but I would have liked to have done more.” In New York, he designed several highly regarded housing projects, including Kips Bay Plaza, and Silver Towers in Greenwich Village, which was recently landmarked.



Im Pei’s latest project, with his son Sandi Pei, is The Centurion, a modern, glass condo building in mid-town Manhattan. Sandi and his brother Didi are also architects and launched their own company, Pei Partnership Architects in 1992, after working in-house with Pei.

Pei’s eyes twinkle when he talks about New York. “I was educated in Massachusetts. I used to say Cambridge and Boston. No longer, it is New York, New York, New York!”

Pei may be a New Yorker, but he is a citizen of the world. Is there anything the last master of high modernist architecture has not yet done, that he’d like to? Pei pauses for a moment and sighs. “I would like to have been a painter. That is my secret.”

www.ppa-ny.com
www.centurioncondominium.com

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Grazia: Alexandra Richards

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Weekend FT: Nicaragua's Carlos Pellas

Posted by Unknown Minggu, 21 Juni 2009 0 komentar

By Julie Earle-Levine



Carlos Pellas owns Nicaragua’s Flor de Caña rum distilleries, Toyota and Suzuki motor dealerships, an energy company and banks. The head of one of the country’s wealthiest families, he is descended from Italians who immigrated from the US in the 19th century. A frequent traveller, he has six homes dotted around the world in locations mostly close to the sea, to accommodate his love of fishing. He counts a family weekender in Lake Nicaragua’s “isletas”, reached only by boat with views of lush mountains, as his favourite.

Have you always lived in Nicaragua?

Yes, I was born here. During my early childhood I lived with my parents at our coffee plantation in San Marcos, about a 45-minute drive from Managua. The house was built in 1952 and it resembled the traditional Spanish haciendas. I have the best recollections of those times as there were 16 of us – between my brothers, my sister and cousins – who lived together. There was no TV then, so we rode bicycles and horses, and played board and card games. The home still serves as a weekend retreat for my cousins.

Then you moved to the city?

Yes, we moved to Managua when I was 10. My father built a beautiful house with lacquered Japanese-style doors and gardens with lakes with fish and oriental plants. In 1972 an earthquake destroyed it. I was at a party with my girlfriend, who would later become my wife. The house we were at caught fire. I told her my house was earthquake-proof. She was very concerned for her parents’ home. But it was my house that was destroyed. My parents and sister survived, miraculously. My girlfriend’s parents’ home was intact.

MY FAVOURITE THINGS

Old cards and ancient pots

My boat is customised to make it the perfect fishing machine. It has underwater fishing cameras. I never get tired of looking at the sea. I can spend hours just sitting in the mezzanine waiting for the fish to show.

A coin from Aristotle’s era given to me by my good friend Mike Wood, my roommate at Stanford, as a token of our 35-year friendship.

My top drawer in my closet, where I keep all the cards and notes sent to me by my kids. Frequently I open one and read it again. It brightens the day.

My hammock. I love to lay on it while watching the sunset and enjoying a 12-year old Flor de Caña Centenario.

My Nicaraguan stamp collection. I bought my first stamp 47 years ago, for $1. I own 18 of the first 20 stamps printed in Nicaragua. My collection is probably the only one of its kind in the world.

My pre-Colombian Indian artefact collection. I have more than 100 pieces of ceramic, dating back 1,200-2,000 years.

My wife’s picture when I first met her. Vivian still looks like that first day. It’s an inspiration. We have had three beautiful children together.

What about school?

I went to prep school in Woodside, California. It was my first time away from Nicaragua in a whole new world where I didn’t even understand the language. It was a great experience. Later, I attended Stanford [University], where I obtained my bachelor degree in economics and later on my MBA. During all these years I would come home to Nicaragua at Christmas and in summer, when I would go to the sugar plantation and the Flor de Caña distillery to work. Ironically, summer vacation was harder work than college.

Why is the isletas home your favourite?

It’s beautiful and peaceful. My family owns an island called Abuela Nena’s Island [Grandmother Nena’s Island]. There are mango and coconut trees, a domesticated white heron and two native parrots. My parents built a home that blends with nature in a very special way. It is a ranch that is made from local wood. It’s nice to sit on locally made, wood rocking chairs and hammocks right by the pool. We have another house there, too, which is two storeys with a balcony that overlooks the lake. The island has belonged to us since the early 1930s but it was confiscated by the Sandinistas in the mid-1980s. It was not until the mid-1990s that we got it back and began our building plans. My mother’s idea was to build a place where she and my dad could spend time with their children and grandchildren and enjoy the serenity of the lake and the beautiful view of the colonial city of Granada. That’s what eventually got her to rename the island El Descanso, which means “the resting place”. The views are amazing. On one side of the island you can see the Mombacho volcano and the city. On the other side is Lake Nicaragua, with its two volcanoes that are islands in the middle of it. The lake is so big that in some parts you cannot see where it ends and land begins.

How do you buy one of these islands?

Often by word of mouth. There are more than 360 islands, so sometimes there will be one for sale.

How often do you go to your island?

I try to go whenever I can. It is my favourite place to entertain my most important guests and closest friends who visit from other countries. I also love to spend time there with my children, brothers and nephews.

What about your main residence?

My home in Managua is where I have lived since 1978. It was meant to be a ”transition” home while I built my permanent home. But the Sandinista revolution changed those plans. As our family gradually grew, my wife and I decided not to move. I would best characterise it as a home in the city that makes you feel you are in a private resort in the countryside. It’s full of open spaces and has a pool, a cabana and a tennis court. Many trees are now close to 30 years old, which provide an ambience difficult to duplicate. I also have a beach home in San Juan del Sur, where I love to go on weekends when I am not fishing from my home in Tulemar, Costa Rica. The seven-bedroom house is right on the beach and it has a Caribbean feeling.

And your other homes?

My home in Manuel Antonio, Costa Rica, is in the middle of a plush rainforest that serves as habitat to three different families of monkeys. The terrace is as high as the top of the trees, which makes you feel like you are flying on top of them. It is secluded and close to the best billfish action in the world. Deep sea fishing has been my passion since I was 13 years old. I have released over 1,500 sailfish and more than 300 marlin. I own a home on the San Juan river, close to an orange plantation where I am a partner. It’s more like a lodge, with great views of the river. My son Eduardo, 22, is the one who enjoys it the most as he is a keen tarpon fisherman. I also have an apartment at the Four Season Residences in Miami. It’s on the 55th floor and has a spectacular view of the port of Miami, the bay and Key Biscayne. My wife Vivian loves it for the privacy – no maids, no drivers, just us.




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New York magazine: Murdoch selling North Shore home

Posted by Unknown Senin, 08 Juni 2009 0 komentar
Intelligencer: Rupert, Brangelina Beached Here

Julie Earle-Levine
June 5, 2009

(Photo: Courtesy of Prudential)

Rupert and Wendi Murdoch have put Rosehearty, their North Shore summer getaway, on the market for $12.8 million; they just weren’t using it enough, given all their other homes. In the meantime, they’ve been renting it to Brad Pitt and Angelina Jolie, for more than $100,000 a month. It’s set on around five acres, with eleven bedrooms, seven fireplaces, guest house, and tennis court, on its own stretch of beach, with a dock. A Murdoch rep declined to comment. The broker, Prudential Douglas Elliman’s Dolly Lenz, wouldn’t identify the rental tenants, but noted it’s available for walk-throughs only when they’re out of town—like, say, at Cannes.


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